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Features Interviews

Glass State: In Conversation with Sweet Williams’ Thomas House

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Album Reviews

Hubert Selby Jr. Infants: Good Evening, Pricks! It’s the Hubert Selby Jr. Infants

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Album Reviews

Hands Up Who Wants To Die: Nil All

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Album Reviews

Bondo: Print Selections

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News

The Lord † David Pajo collaborate on new song

Categories
Features Interviews

Droneroom Interview: “I prefer it if someone else tells me what they hear and see”

Categories
Features Interviews

Engine Roar: In Conversation with June of 44’s Jeff Mueller

Categories
Features Interviews

oWo Interview: “We all want an exit from the current political failings”

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Features Interviews

Pound Land Interview: “We both like our music to be unsettling”

Categories
Album Reviews

Engine Kid: Special Olympics EP – “they deliver with wicked force”

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Album Reviews

Antietam: His Majesty’s Request: A Wink O’Bannon Select – “a fitting tribute”

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Albums Lost Albums

Enablers’ Output Negative Space 15th anniversary

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Features Interviews

Mope City Interview: “the motivation comes from just enjoying it”

Categories
Albums Features

All Souls Day: The Burning Universe of Unwound

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Album Reviews

Moin: Moot! – “a record inspired by escapism”

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Album Reviews

Nadja: Luminous Rot – “something truly worthy of the present”

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Albums Features

The Absurdity of Fandom: Slint’s Spiderland 30th anniversary

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Album Reviews

Black Country, New Road: For the First Time – “a tone-setter for the rest of 2021”

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13 Questions

Meet the Team: 13 Questions with Simon Kirk

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Album Reviews

Zelienople: Hold You Up – “a timely welcome into this world”

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Features

Polvo: a buyer’s guide and look into the bipolar world of the underground touchstone

We put one of Chapel Hill’s greatest exports under the microscope, assessing their era-defining body of work.