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Features Interviews

Oxford Drama interview: “Someone once said that we make music for shy people”

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Features Interviews

Sara Wolff interview: “It’s always so strange when you put songs into the world”

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Features Interviews

The Underground Youth interview: “I had the idea to create this more orchestral sound”

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Features Interviews

The Besnard Lakes interview: “there is always a bit of serendipity when we make our albums”

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Features Interviews

Lifeguard interview: “We are definitely influenced by both Fugazi and Unwound”

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Features Interviews

LONESAW interview: “we just make the art we make”

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Features Interviews

Tele Novella interview: “I’ve never really fit into a widely accepted genre or scene”

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Features Interviews

Bobhowla interview: “I’ve always experimented with throwing imagery into songwriting”

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Features Interviews

Claire Welles interview: “I enjoy being Liverpool’s best kept secret”

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Features Interviews

Clara Engel interview: “I tend to connect with other people who are also outliers”

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Features Interviews

Zelienople interview: “our biggest enemy is cynicism”

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Features Interviews

Daren Muti interview: “The purpose of a song is to balance light and shadow”

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Features Interviews

Jamie Broad interview: “I’m not perfect and like anyone I’m trying to figure things out”

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Features Interviews

Full Force: In Conversation with Holy Sons’ Emil Amos – Part 2

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Features Interviews

Bad Amputee interview: “trying to make something that works and does the music justice”

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Features Interviews

John Witherspoon interview: “there’s something magic about the truth”

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Features Interviews

Hellena interview: “I am extremely proud of this work”

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Features Interviews

Bruxa Maria interview: “One should not have to like someone’s art before they can see or accept the value it has to others”

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Features Interviews

Full Force: In Conversation with Holy Sons’ Emil Amos – Part 1

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Features Interviews

MJ Guider interview: “I didn’t set out with a specific inspiration for making the record other than my standard compulsion”